Self-portraiture and emerging artistic consciousness in Dafen
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Dafen is a village surrounded by the thriving metropolis of Shenzhen, and the origin of most of the world’s reproduction oil paintings. In the popular imagination Dafen’s artists produce anonymous works for unknown customers, operating no differently than a faceless factory churning out counterfeits, replicas and nothing close to what would be considered art.
REGIONAL productively collaborated with the otherwise commoditized community in Dafen by asking selected individuals, some for the first time, to imagine themselves in their professional medium. The final works show the technical, creative, and professional facets of the artists identities subsumed by the styles and relationships they maintain with specific famous artists. The hybrid result of original subject with derivative style comments on originality, global cultural production and REGIONAL’s cooperation with emerging enterprise forms that are internationalizing the village.
The product of the collaboration are sets of images (seen below) comprising a digital photo of the artist in his studio, an indicative painting of their usual output and an original self-portrait. While the final works contain both the creative signature of the original masters and the emergent self-consciousness of the Dafen artists, it is equally important to note that they derived great fulfillment from using their talents freely, and were remunerated at a rate commensurate with the unique international nature of the project.
