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His five points:

1. It’s a cost of doing business on the internet (and indeed it is).
2. People who don’t buy now, may buy later. (In my case, I don’t mind that the next generation grows up “knowing” I know my stuff.)
3. “Pirates” are people too and not just in it for themselves. They may not be able to afford it right now.
4. Pirates have friends with money and the piracy serves as publicity. (Well, d’oh but the RIAA/MPAA are totally unable to see that despite the RIAA members regular payola scandals where they pay radio stations to “pirate” their material, it’s just authorized at that point but functionally no different)
5. As soon as he opened everything up under a Creative Commons license his business grew!

Wow

Well, that’s about all the puns I can come up with right now.

If you don’t get the second one, just google Santorum.

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A strong stump speech is one of the most important components of a presidential campaign. In an effective speech, a candidate can weave promises and attacks, lay out ambitious plans, and connect with voters on a personal level. Times reporters following the candidates have deconstructed and annotated four candidates’ stump speeches, providing context and checking facts.

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This amazing image of a map refracted in a drop of water as it forms a globe, was captured by Markus Reugels, using a custom rig he built for photographing liquids. [via]

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If you can pronounce correctly every word in this poem, you will be speaking English better than 90% of the native English speakers in the world.

After trying the verses, a Frenchman said he’d prefer six months of hard labour to reading six lines aloud.

Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!

English Pronunciation by G. Nolst Trenité

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“It’s kind of remarkable. I’ve set up a couple of PCs and a few TVs over the last couple of years. Buying a new television and setting it up is far more complicated now than buying a computer and setting it up.”

No wonder people expect Apple to start selling TV sets.

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“I can’t wake up one morning and say, ‘Screw the letter B,’” type designer Matthew Carter told me last year when I interviewed him for the Economist, just after he had received a MacArthur Foundation “genius” fellowship. Carter, arguably the leading living creator and adapter of fonts in the Western world, was talking about the limits of pushing legibility and readability.

I thought of his comment when a recent furor erupted over the new “house” font for Android 4.0 (Ice Cream Sandwich), called Roboto. Roboto is a bespoke sans-serif font, created by a Google employee and used throughout Android’s user interface (UI) as part of the larger user experience (UX) overhaul. The intent is to make Android more intuitive, cohesive, and fluid, and work better on a variety of screen sizes, especially tablets.

Roboto was almost immediately branded a Frankenfont, a multi-headed hydra, and many other names by font purists and tyros alike, because of what seems to be a borrowing of identifiable features of several well-known fonts, including Helvetica. Stephen Coles at Typographica singled out characters he felt quite similar in form from Helvetica, Myriad, Universe, FF DIN, and Ronnia.