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From Melbourne’s Astor Theatre, a harrowing tale of the way that the DRM on digital projectors — intended to stop exhibitors from leaking high-quality videos onto the Internet — can interfere with legitimate exhibition. Punishing the innocent to get at the guilty is never a good answer, morally or commercially. The most secure way to manage theatrical exhibition is to ban it altogether; the DRM scheme used by digital projectors comes pretty close to that “solution.”