For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting.
At 9:30 in the morning, an architect and three senior scientists—two from Stanford, the other from Hewlett-Packard—donned eyeshades and earphones, sank into comfy couches, and waited for their government-approved dose of LSD to kick in. From across the suite and with no small amount of anticipation, Dr. James Fadiman spun the knobs of an impeccable sound system and unleashed Beethoven’s “Symphony No. 6 in F Major, Op. 68.” Then he stood by, ready to ease any concerns or discomfort.
For this particular experiment, the couched volunteers had each brought along three highly technical problems from their respective fields that they’d been unable to solve for at least several months. In approximately two hours, when the LSD became fully active, they were going to remove the eyeshades and earphones, and attempt to find some solutions. Fadiman and his team would monitor their efforts, insights, and output to determine if a relatively low dose of acid—100 micrograms to be exact—enhanced their creativity.
It was the summer of ’66. And the morning was beginning like many others at the International Foundation for Advanced Study, an inconspicuously named, privately funded facility dedicated to psychedelic drug research, which was located, even less conspicuously, on the second floor of a shopping plaza in Menlo Park, Calif. However, this particular morning wasn’t going to go like so many others had during the preceding five years, when researchers at IFAS (pronounced “if-as”) had legally dispensed LSD. Though Fadiman can’t recall the exact date, this was the day, for him at least, that the music died. Or, perhaps more accurately for all parties involved in his creativity study, it was the day before.
A long but interesting read.