Canada-based telecom Nortel went bankrupt in 2009 and sold its biggest asset—a portfolio of more than 6,000 patents covering 4G wireless innovations and a range of technologies—at an auction in 2011.
Google bid for the patents, but it didn’t get them. Instead, the patents went to a group of competitors—Microsoft, Apple, RIM, Ericsson, and Sony—operating under the name “Rockstar Bidco.” The companies together bid the shocking sum of $4.5 billion.
Patent insiders knew that the Nortel portfolio was the patent equivalent of a nuclear stockpile: dangerous in the wrong hands, and a bit scary even if held by a “responsible” party.
This afternoon, that stockpile was finally used for what pretty much everyone suspected it would be used for—launching an all-out patent attack on Google and Android. The smartphone patent wars have been underway for a few years now, and the eight lawsuits filed in federal court today by Rockstar Consortium mean that the conflict just hit DEFCON 1.
Google probably knew this was coming. When it lost out in the Nortel auction, the company’s top lawyer, David Drummond, complained that the Microsoft-Apple patent alliance was part of a “hostile, organized campaign against Android.” Google’s failure to get patents in the Nortel auction was seen as one of the driving factors in its $12.5 billion purchase of Motorola in 2011.
Rockstar, meanwhile, was pretty unapologetic about embracing the “patent troll” business model. Most trolls, of course, aren’t holding thousands of patents from a seminal technology company. When the company was profiled by Wired last year, about 25 of its 32 employees were former Nortel employees.
The suits filed today are against Google and seven companies that make Android smartphones: Asustek, HTC, Huawei, LG Electronics, Pantech, Samsung, and ZTE. The case was filed in the Eastern District of Texas, long considered a district friendly to patent plaintiffs.
Starbucks has filed a lawsuit against a Bangkok-based coffee stall owner in a dispute over its logo.
The US firm says the green-and-white “Starbung” emblem used by 43-year-old Damrong Maslae – which features a man in a skullcap pouring coffee and holding up a victory sign – infringes on its intellectual property rights. It is suing Maslae and his brother Damras, with whom he operates the stall, for 300,000 baht (£6,000).
Maslae, a father of six who has been serving coffee for 15 years, told the Guardian that his logo was created by a design-savvy friend and inspired not by the US firm but by Maslae’s religion, Islam.
“My logo is halal and has a moon and a star, and is green for the colour of Islam,” said Maslae, better known by customers as Bung. “Starbucks has insisted I take out the green and the words star and coffee. I can’t do that.”
The new Obamacare website Healthcare.gov has had its fair share of problems over the past weeks, and the trouble continues.
While using open-source software is fine, the makers of Healthcare.gov decided to blatantly remove all references to its owners or the original copyright license.
In other words, they simply took the open-source software and are passing it off as their own, a clear violation of the GPL v2 and BSD (3-point) licenses DataTables uses.
There’s widespread consensus that the best cosplayers at this year’s Dragoncon were the people who dressed up in bodysuits patterned after the notoriously bizarre institutional carpet at the Atlanta Marriott hotel, one of the event’s venues. But when one of the cosplayers offered to supply carpet-camo to other attendees, Couristan Inc (the company that designed the carpet) sent them a legal threat.
Most business owners sued by patent trolls don’t talk about it to anyone other than their lawyer; a typical response is to cross one’s fingers and hope the problem goes away. It won’t, of course. Often they do the next best thing—hope it will go away for as little money as possible.
FindTheBest CEO Kevin O’Connor, who also cofounded online ad giant DoubleClick, decided several weeks ago he would talk about it—publicly, and often. O’Connor wrote to tech sites like PandoDaily telling them of his determination to “slaughter” the troll, the “scum of the earth.” And in August, he pledged $1 million of his own money to fight the troll that went after his company.
copyright-brandedWhen the printing press hit Europe, royalty and clergy panicked.
All of a sudden, they had lost the gatekeeper position of determining what culture and knowledge was available to the masses, and by extension, lost control of the political discourse of their time.
At the time, different regimes reacted differently to the threat. France reacted by banning book shops altogether and banning the use of the printing press under penalty of death. The ban was utterly ineffective. (Yes, you read that right: the penalty for unauthorized copying has been escalated as far as the death penalty, still without effect.)
On the other side of the British Channel, Mary I had inherited a Protestant England from her father, who had converted the entire country from Catholicism just in order to divorce her mother (and moved on to marry a half-dozen other women in sequence). Mary wasn’t very happy with the treatment of her mother and had been raised a Catholic; she saw it as her duty to convert England back to Catholicism, no matter the cost in blood.
She took the throne from her cousin in 1553 and started a crackdown on political dissidents that still to this day earns her the nickname “Bloody Mary”. In the time, there was no difference between political and religious dissent – it was a war of power, superficially over Catholicism or Protestantism. Over 280 dissenters were burned alive on Mary I’s orders as a warning to others.
In this environment, she sought a further means to suppress free speech and political dissent. Seeing how France’s death penalty against the printing press had failed miserably, she instead opted for an unholy alliance between capital and the crown. Mary I handed out a printing monopoly on May 4, 1557 to the London Company of Stationers. In return for a lucrative monopoly of printing everything in England, the company would agree to not print anything the Crown’s censors deemed politically insubordinate.
The scheme worked to suppress dissent and free thought, and censorship was successfully introduced. The monopoly was called copyright, the word from an internal registry with the London Company of Stationers. Thus, the unholy alliance of the copyright monopoly was forged in the blood of political dissent.
Nederlandse aanbieders van e-books gaan klanteninformatie doorspelen aan stichting Brein, waaneer de organisatie daar om vraagt.
Mocht iemand bijvoorbeeld een recent e-book met watermerk verspreiden, krijgt Brein in het vervolg klantgegevens doorgespeeld van de aanbieder van het e-book. Dat meldt Tweakers.
Translation: in the Netherlands eBook sellers will pass on client information to the dutch version of RIAA/MPAA in case an eBook with a watermark is being distributed on pirate sites.
Read it for yourself on Google Translate
So now if you lose your eBook reader with all its content, you not just have to buy a new device, you also run the risk of a lawsuit because the finder shares its contents on piratebay.
Yet another instance where it is better not to buy the product at all.
Oh, one of those common “please take down our copyrighted content or prepare to be sued” mistakes. We’ve all made those. I’m pretty sure the only “error” was underestimating the pushback.
So, all’s well that ends well, I guess, except for that fact that Comcast’s “error” nearly took a site offline and gets to walk away from the experience unscathed. And because it made it through with little more than some public embarrassement, it won’t learn a damn thing.
The Electronic Frontier Foundation (EFF) today filed suit against an Australian record company for misusing copyright law to remove a lecture by Harvard Law School professor Lawrence Lessig from YouTube. With co-counsel Jones Day, EFF is asking a federal judge in Massachusetts to rule that the video is lawful fair use, to stop Liberation Music from making further legal threats, and to award damages.
“The rise of extremist enforcement tactics makes it increasingly difficult for creators to use the freedoms copyright law gives them,” Lessig said. “I have the opportunity, with the help of EFF, to challenge this particular attack. I am hopeful the precedent this case will set will help others avoid such a need to fight.”
Copyright law allows for the fair use of works for purposes such as criticism, comment, teaching, and scholarship. Professor Lessig’s use of the “Lisztomania” clips in his lecture was a classic example of fair use and was not copyright infringement.
Earlier this year, Liberation Music, which claims to own the license to the Phoenix song, began the process to block the video through YouTube’s copyright infringement system. After the company submitted a DMCA takedown notice, Lessig filed a counter-notice that asserted the clips were fair use. After Liberation Music threatened to sue Lessig, he retracted the notice. But Lessig did not concede this issue. Instead, he enlisted EFF’s help to take Liberation Music to court.
“There’s a long and sorry history of content owners abusing copyright to take down fair uses, but this one is particularly shocking,” said EFF Intellectual Property Director Corynne McSherry. “Based on nothing more than a few clips illustrating Internet creativity, Liberation Music took down an entire lecture by one of the leading experts in the world on copyright and fair use. This kind of abuse has to stop.”
Ah, Jacques Nazaire. You may recall some of our previous posts about Nazaire, a local lawyer in Georgia who was handling some Prenda/AF Holdings cases in that neck of the woods. He’s the lawyer who advertises his willingness to appear in court for you via Craigslist, and also argued that Judge Otis Wright’s order out in California exposing Prenda’s scam was inapplicable in Georgia because California recognizes gay marriage. He also tried to argue that it shouldn’t be used because… something totally incomprehensible about hackers having nothing to do with the case at all.
That case has continued and there was a hearing back in January that didn’t go particularly well for Nazaire. Andrew Norton attended and wrote about it. Anyway, the latest in the case is that Nazaire is asking the court to seal all future filings in the case, mainly because the comments here on Techdirt, along with a few other blogs, have been really really mean about Nazaire. The main purpose of the filing is to try to stop the discovery efforts opened up by the defendant in the case, Rajesh Patel, represented by Blair Chintella, as they’re seeking attorneys’ fees from Nazaire and Prenda — and, as part of that, are trying to do detailed discovery to reveal more about the Prenda scam. Nazaire throws a bunch of excuses at the wall for why this shouldn’t be allowed. But the request to seal the records is much more interesting to us:
Additionally, the Plaintiff is respectfully requesting that any future filings in this case may be filed under seal. This case has generated much unneeded attention on the internet. Please see Exhibits N-S. While the writers listed in exhibits N-S have the right to post these articles, unfortunately, these articles and blogs have created an embarrassment, misleading characterizations and perhaps an unsafe environment for plaintiff’s counsel and third parties. As such, plaintiff is respectfully requesting that all future filings be permitted to be made under seal.
Plaintiff 1) understands that the articles attached hereto have not been authenticated and apologizes to this Court for the same. In such a short notice of time, it is difficult to authenticate these press releases and postings; however, a search on any search engine will prove these articles and postings to be real; and 2) Plaintiff is not criticizing the authors of the press releases and postings and realizes that the attached postings were meant to be humorous and not spiteful; nevertheless, those not familiar with this case may misinterpret said postings. This may lead to anger by those not quite familiar with the case but yet familiar with the captions. As such, it may be best for the court to allow sealing further filings (which may include addresses and personal information of the parties and counsels herein).
So what are exhibits N-S? They’re just printouts of the comments pages (not the actual posts) from posts on Techdirt, Popehat and FightCopyrightTrolls. It also includes a press release from the opposing attorney Chintella, as well as Norton’s writeup of the July 2nd hearing. In other words, just the kind of public participation that should be had around legal issues happening in a court of law. But because some of you folks here were a bit snarky, Nazaire wants to hide significant parts of the rest of the case from you.
Evidence is stacking up that Prenda Law has been operating a honeypot in order to lure Internet users into downloading copyrighted material. A subpoena just returned by Comcast confirms that a Pirate Bay user called “Sharkmp4″ is directly linked to the infamous anti-piracy law firm. The case is controversial in many ways, not least because The Pirate Bay actively helped to expose the copyright troll in question.
copyright troll honeypotAs the poster child for copyright trolls, Prenda Law has been running into all sorts of trouble lately.
In June, Prenda and its boss John Steele were accused of running a “honeypot” based on an expert report authored by Delvan Neville, whose company specializes in monitoring BitTorrent users.
The report hinted that the law firm was seeding the very files they claimed to protect, and found that many of the torrents detailed in Prenda lawsuits originate from a user on The Pirate Bay called ‘Sharkmp4′.
The Swedish Pirate Party has celebrated the 10th anniversary of the Pirate Bay torrent website by reporting the country’s strongly anti-piracy IT minister, Anna-Karin Hatt, to the police for infringing online copyright laws on several occasions.
“When not even the Swedish IT Minister complies with copyright law online, one can hardly expect ordinary Internet users to feel compelled to follow such an outdated law,” he said.
Wester does not believe that the complaint will result in any consequences for Hatt, as it’s “just ‘ordinary’ Swedes who risk being sentenced to heavy fines and damages for the same thing the minister has done.”
One year ago today, NASA’s Curiosity rover touched down on the surface of Mars and began studying the planet. The rover may be lonely out there on its first birthday, but it won’t go entirely without celebration: NASA has repurposed Curiosity’s soil analysis system to play the tune of “Happy Birthday to You” out loud for all of Mars to hear.
Though the analysis system doesn’t include a loudspeaker, it does include a motor that can loudly vibrate at very specific frequencies. Normally, the motor is used to help move soil through the analysis system, but it’s been modified for the day to produce the exact frequencies that make up “Happy Birthday.” Such a performance of the ubiquitous jingle would usually require a license from Warner Music, but the recording group is likely to have trouble collecting any royalties on Mars.
Last week Russia introduced its brand new anti-piracy law that will see sites blocked at the ISP level if they fail to respond swiftly to copyright complaints.
The law, which critics say is overbroad and likely to cause collateral damage, is opposed by big companies such as Google, local search engine Yandex, Internet resources such as Wikipedia and thousands of website operators and users.
But just as protests including last week’s blackout by 1,700 sites subside, a more unconventional front is opening up.
Later today pirate activists in five regions – Moscow, St. Petersburg, Nizhny Novgorod, Kazan and Khabarovsk – will submit documents to begin the process of having their church officially recognized by the authorities.
If that all goes to plan in a few years time Russia will have its own Church Kopimizma, but for the faithful there are important issues to be dealt with right now.
As soon as the papers are filed the church’s founders will file a lawsuit against the anti-piracy legislation that came into force August 1. They will do this on the basis that the law, which restricts copying and sharing, is an insult to Kopimists.
But according to lawyer Victor Naumov, separation of religion and state in Russia means that it’s unlikely that the complaint will achieve much, although an appeal could be made to the Constitutional Court of the Russian Federation.
In a first of its kind ruling a federal court in California has thrown out a case against 2,919 alleged movie pirates. The case was initiated by the Swiss-based company Contra Piracy who obtained the “enforcement rights” for the 50 Cent movie All Things Fall Apart. The judge ruled that since Contra Piracy’s only intention was to obtain quick settlements “under threat of embarrassing and expensive litigation,” they had no standing to pursue their copyright action in court.
There is, though, an interesting lesson here. Software patent applications are of uniformly poor quality. They are remarkably easy to find prior art for. Ask Patents can be used to block them with very little work. And this kind of individual destruction of one software patent application at a time might start to make a dent in the mountain of bad patents getting granted.
My dream is that when big companies hear about how friggin’ easy it is to block a patent application, they’ll use Ask Patents to start messing with their competitors. How cool would it be if Apple, Samsung, Oracle and Google got into a Mexican Standoff on Ask Patents? If each of those companies had three or four engineers dedicating a few hours every day to picking off their competitors’ applications, the number of granted patents to those companies would grind to a halt. Wouldn’t that be something!
Got 15 minutes? Go to Ask Patents right now, and see if one of these RFPAs covers a topic you know something about, and post any examples you can find. They’re hidden in plain view; most of the prior art you need for software patents can be found on Google. Happy hunting!
Did you hear the one about the world’s most infamous music file-sharer being asked to publicly extol the virtues of the Recording Industry Association of America’s anti-piracy platform?
The RIAA is suggesting Jammie Thomas-Rasset do just that. In exchange, the recording studios’ lobbying and litigation arm would reduce a $222,000 jury verdict the Supreme Court let stand in May — her punishment for sharing 24 songs on the now-defunct file-sharing service Kazaa.
However, the 36-year-old mother of four and the nation’s first file-sharer to challenge a Recording Industry Association of America lawsuit, said she would rather go bankrupt.
The move subtitle fansite undertexter.se, literally meaning subtitles.se, is a site where people contribute their own translations of movies. This lets people who aren’t good at the original language of a movie or cartoon put those fanmade subtitles – fansubs – on top of the movie or cartoon. Fansubbing is a thriving culture which usually provides better-than-professional subtitles for new episodes with less than 24 hours of turnaround (whereas the providers of the original cartoon or movie can easily take six months or more).
What’s remarkable about this raid is that the copyright industry has decided to do a full-out raid against something that is entirely fan-made. It underscores the general sentiment of the copyright monopoly not protecting the creator of artwork, but protecting the big distribution monopolies, no matter who actually created the art. The copyright industry in Sweden has previously asserted threateningly that the dialog of a movie would be covered by the copyright monopoly, and that any fan translation – even for free – would be a violation of that monopoly. Still, going all-out with a police raid backed by the copyright industry’s enforcement arm in Sweden is a clear escalation of violence.
As a songwriter Pandora paid me $16.89* for 1,159,000 play of “Low” last quarter. Less than I make from a single T-shirt sale. Okay that’s a slight exaggeration. That’s only the premium multi-color long sleeve shirts and that’s only at venues that don’t take commission. But still.
Soon you will be hearing from Pandora how they need Congress to change the way royalties are calculated so that they can pay much much less to songwriters and performers. For you civilians webcasting rates are “compulsory” rates. They are set by the government (crazy, right?). Further since they are compulsory royalties, artists can not “opt out” of a service like Pandora even if they think Pandora doesn’t pay them enough. The majority of songwriters have their rates set by the government, too, in the form of the ASCAP and BMI rate courts–a single judge gets to decide the fate of songwriters (technically not a “compulsory” but may as well be). This is already a government mandated subsidy from songwriters and artists to Silicon Valley. Pandora wants to make it even worse.
The full lawsuit, embedded below, goes through a detailed history of the song and any possible copyright claims around it. It covers the basic history of “Good Morning to You,” but also notes that the “happy birthday” lyrics appeared by 1901 at the latest, citing a January 1901 edition of Inland Educator and Indiana School Journal which describes children singing a song called “happy birthday to you.” They also point to a 1907 book that uses a similar structure for a song called “good-bye to you” which also notes that you can sing “happy birthday to you” using the same music. In 1911, the full “lyrics” to Happy Birthday to You were published, with a notation that it’s “sung to the same tune as ‘Good Morning.’” There’s much more in the history basically showing that the eventual copyright that Warner/Chappell holds is almost entirely unrelated to the song Happy Birthday to You.
The detail in the filing is impressive, and I can’t wait to see how Warner/Chappell replies. As the filing notes, there are a variety of copyright claims around the song, but all are invalid or expired, and the very, very narrow copyright that Warner/Chappell might hold is not on the song itself. In other words, Warner/Chappell is almost certainly guilty of massive copyfraud — perhaps the most massive in history — in claiming a copyright it clearly has no right to.
Two major Hollywood studios have asked Google to remove the homepage of Kim Dotcom’s Mega from its search results. Warner Bros. and NBC Universal claim that their copyrighted content is hosted on the URL and want it taken down. Dotcom is disappointed by the news and points out that constant takedown abuse is restricting access to legitimate files. “This is in line with the unreasonable content industry behavior we have experienced for years,” he says in a response.
In recent weeks Hollywood studios Warner Bros. and NBC Universal both asked Google to de-list Mega’s homepage from its search index. These are odd requests as Mega’s homepage doesn’t link to any files at all.
What remains remarkable about FACT operations is how they are able to persuade the police to invest significant resources towards detaining individuals for non-violent crimes. This week witnessed yet another example of that ability.
Five undercover cars containing 10 police officers and officers from the Federation Against Copyright Theft arrived at a property in the West Midlands at 07:30 Thursday morning.
The person they were looking for no longer lived at the address but in the space of 15 minutes three cars, four detectives and two FACT officers had made it to the correct location.
Armed with an emergency search warrant issued out of hours by a judge, police and FACT officers entered the suspect’s home.
“This morning I was arrested at my home under suspicion of recording and distributing Fast and Furious 6 and a few other titles,” the arrested man told TorrentFreak.
faf6After seizing numerous items including three servers, a desktop computer, blank hard drives and blank media, police detained the 24-year-old and transported him to a nearby police station. Despite the ‘emergency’ nature of the raid, no movie recording equipment was found.
TorrentFreak has seen copies of the issued bail sheets. Surprisingly they do not state any law under which the man was arrested, instead referring only to “Miscellaneous Offense”, apparently due to the police being unclear on what to write down.
It is no secret that Hollywood is trying to take down as many pirated movies as they can, but their targeting of a Creative Commons Pirate Bay documentary is something new. Viacom, Paramount, Fox and Lionsgate have all asked Google to take down links pointing to the Pirate Bay documentary TPB-AFK. But is it a secret plot to silence the voices of the Pirate Bay’s founders, or just another screw up of automated DMCA takedowns?
In its quest to identify the owner of a file-sharing site, Dutch anti-piracy group BREIN pressured one of the largest banks in the Netherlands to hand over his or her personal details. In a decision this morning the Amsterdam Court said that while BREIN has a responsibility to enforce copyright on behalf of its members, the bank has a greater responsibility to protect its customers’ privacy.
BREIN discovered a bank account with connections to the site and said that ING, one of the largest banks in the Netherlands, could provide the information it was looking for. Citing the Data Protection Act, ING refused to cooperate.
The case went to court and this morning a ruling was handed down. The Amsterdam Court decided that ING is not obliged to hand BREIN the personal details behind the bank account.
The Court recognized that BREIN has responsibilities to take action against those infringing the copyrights of its members but noted that ING has obligations to protect the privacy and interests of its customers. When balancing the two sets of needs, copyright enforcement versus banking privacy, the bank’s responsibilities come out on top.
“Under data protection law, you can only use personal information for proper and clearly defined legal goals. Using information for different goals requires an extraordinary interest that outweighs the privacy of the person involved,” Arnoud Engelfriet, a lawyer specializing in Internet law at the ICTRecht law firm, told TorrentFreak.
“The court says that because of the important position a bank plays in society, this is a really high bar to meet and BREIN has not met it.”
This little known story has met a just conclusion, as Sophia Stewart, African American author of The Matrix will finally receive her just due from the copyright infringement of her original work!!!
A six-year dispute has ended involving Sophia Stewart, the Wachowski Brothers, Joel Silver and Warner Brothers. Stewart’s allegations, involving copyright infringement and racketeering, were received and acknowledged by the Central District of California, Judge Margaret Morrow presiding.
Stewart, a New Yorker who has resided in Salt Lake City for the past five years, will recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. She will soon receive one of the biggest payoffs in the history of Hollywood , as the gross receipts of both films and their sequels total over 2.5 billion dollars.
Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, ‘The Third Eye,’ copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi works..
According to court documentation, an FBI investigation discovered that more than thirty minutes had been edited from the original film, in an attempt to avoid penalties for copyright infringement.
The investigation also stated that ‘credible witnesses employed at Warner Brothers came forward, claiming that the executives and lawyers had full knowledge that the work in question did not belong to the Wachowski Brothers.’ These witnesses claimed to have seen Stewart’s original work and that it had been ‘often used during preparation of the motion pictures.’ The defendants tried, on several occasions, to have Stewart’s case dismissed, without success.
Megaupload’s legal team are not restricting their fight with the U.S. Government only to the courts. Today they published a detailed white paper accusing the White House of selling out to corporate interests, particularly Hollywood. “The message is clear. The White House is for sale. More and more of our rights are eroding away to protect the interests of large corporations and their billionaire shareholders,” Dotcom summarizes.
The shuttered file-sharing site Megaupload has accused the United States government of trying to change criminal court procedures to make it easier to prosecute the firm for copyright infringement. In addition to naming CEO Kim Dotcom as a defendant in the criminal case, the US government also named Megaupload, a corporation based in Hong Kong, as a separate defendant.
Megaupload has argued that US law doesn’t allow criminal prosecution of corporations based entirely overseas. Federal rules require notice of an indictment to be sent to a corporation’s last known US address. But Megaupload has never had a US address, the firm argues, so it can’t be prosecuted.
Judge Liam O’Grady rejected that argument in October, reasoning that the government may be able to satisfy the notice requirement by serving papers on Kim Dotcom after he has been extradited to the United States.
On Thursday, Megaupload pressed its case again by pointing to a letter that Assistant Attorney General Lanny Breuer wrote to the chair of the Advisory Committee on the Criminal Rules, which is part of the judicial branch. The government’s attempts to change the criminal rules are an implicit admission that Megaupload is actually correct on the law, the company argues.
Kanojia says that he is not stealing TV signals and that his technology conforms to federal laws because:
An individual can watch free over-the-air TV using an antenna.
An individual can legally copy a TV show or movie for private use.
A company can remotely copy and store digital information for a consumer and then transmit the content to the consumer.
“You combine those three, and you have Aereo,” Kanojia said. The company assigns a tiny antenna in an Aereo-run antenna farm to a subscriber, grabs broadcast-TV signals out of the air based on what the subscriber would like to watch, stores the TV content on a remote digital-video recorder, and then streams the TV content over the Internet to the subscriber.
So even though many people may be watching the same TV show, each TV show is individually received by a subscriber-specific antenna, copied on a DVR, and then streamed.
Goldstein, the Chicago lawyer, said, “There is a perceived loophole in the Copyright Act, and these companies like Aereo are taking full advantage of it.”
Where the definition of ‘loophole’ of course means ‘the establishment doesn’t get any money from it’
Every few years the proposal for a “broadcast treaty” comes up again. The idea is to give a new copyright-like right to broadcasters. So, for example, should NBC broadcast a public domain film, like George Romero’s Night of the Living Dead, it could then effectively claim a copyright-like control over it, so that you couldn’t record it and make use of it yourself. If that seems like a really dumb idea to you, welcome to the club. You’re not alone. Basically, everyone who isn’t tied to a broadcaster thinks it’s a terrible idea. Even Mr. Mythbuster Adam Savage spoke out against the idea two years ago when it last came around.
In a comical display of meta-censorship several copyright holders including 20th Century Fox and NBC Universal have sent Google takedown requests asking the search engine to take down links to takedown request they themselves sent. Google refused to comply with the movie studios requests and the “infringing” DMCA notices remain online. Meanwhile, the number of takedown notices received by Google is nearing 20 million per month.
google bayThere’s a dark side to Google’s transparency efforts, especially when it comes to publishing DMCA requests it receives from copyright holders.
With more than 100 million links to pirated files Google is steadily building the largest database of copyrighted material. This is rather ironic as it would only take one skilled coder to index the URLs from the DMCA notices in order to create one of the largest pirate search engines available.
The standards are shifting in other ways too. No longer is Google merely asked to remove direct links to copyrighted material as the DMCA prescribes, but also links to links to links to copyrighted material.